Drifter’s Road, a New Collaboration by LA Artists Jules & The Howl and Ward, Reviewed by Jack Charles

If truth and melancholy were gold, Drifter’s Road by Jules & The Howl and WARD would be Fort Knox. It’s a song spawned by the pandemic but written for the ages. Drifter’s Road is sonically beautiful and simple, with light, clean acoustic guitar work, gorgeous harmonies, chill, understated production, and a slide guitar that sweeps you away into daydreams. The “less is more” rule pays off, until you pay attention to the lyrics.

I must say these words hit me personally, and, if you’ve ever felt pain and uncertainty, you too would feel they were written specially for you. They sum up the loneliness, the untold future, the artist (or lonely lover) questioning their choices in a profound yet simple way. They speak of internal struggles, expectations, dreams and what their true value means, unacknowledged by the mass of people around us. It’s a power-packing message for those that are familiar with feeling blue beautifully set in the velvet dreaminess of the music. In Drifter’s Road I can hear echoes of folk pop, sprinkled with a little Mazzy Star and pinch of vintage country. It’s like witnessing a falling star alone. This song is a jewel. 


You can listen to this album on Spotify



Jules & The Howl brings classic rock and blues roots to the LA scene. With theatrical larger-than-life performances that embody the spirit of 60s-70s rock, Jules & the Howl inspire a communal atmosphere of cathartic liberation.

julesandthehowl.com • Instagram • FacebookYouTube


Ward quit his desk job in NYC, moved to LA and started a band. Since then, the group (Chris Gongora, Mauricio Munguia, Ryan Dietzenbach, and Ward) have grown a fanbase of tens of thousands online and played their high-energy post-punk live set throughout the Western US and Mexico.

ward.band • Instagram • Facebook • YouTube

About the author

Jack Charles’ voice brings a layer of graveyard velvet to complete a sound that is a dark and personal tribute to rock and roll. Jack has a debt with music and has come to pay it in full, with his band Musical Partners In Crime. Their currency: The Ante Mortem Songbook, the singer/songwriter’s opera prima, whose songs, with an alternative retro-rock vibe, are varied in form and channel various influences like surf, R&B and post-punk.